Thursday, January 2, 2020

Restraint in Joseph Conrads Heart of Darkness Essay

Restraint! I would have just as soon expected restraint from a hyena prowling amongst the corpses of a battle, comments Marlow as he questions why the hungry cannibals aboard his steamer hadnt gone for the white crew members (Conrad 43). The glimpse of the steamboat . . . filled those savages with unrestrained grief, Marlow explains after recalling the cries of the natives seeing the steamer amidst a brief fog lift (Conrad 44). Poor fool! He had no restraint, no restraint . . .a tree swayed by the wind, speaks Marlow of a slain helmsman amidst an attack by tribal savages (Conrad 52). Mr. Kurtz lacked restraint in the gratification of his various lusts, says Marlow a few moments after he tells of his first glimpse of†¦show more content†¦But if one accepts the title as meaning, in essence, the heart which has the quality of being dark, one has to consider the associations of darkness. Though darkness ordinarily connotes evil, Conrad brings still more ambiguities about light a nd dark into the mix as the novel progresses. Ivory, a constant presence in the novel, gains associations with the horrors of European colonialism and human materialism. The whiteness of ivory, therefore, cannot denote the positive, pure associations normally used by writers. Most critics believe the story is set in light and dark polarities (Ong 61), but clearly, there is vagueness and ambiguity throughout the novel. If one attempts to answer any such questions, still more arise. Watts validly concludes that the title offers a certain disturbing mysteriousness through the immediate possibility of alternative glosses (55). The mysteriousness of the title is the first indicator of the mysteriousness of Marlows journey into Africa. Seemingly no one--Marlow, Kurtz, the reader--is quite certain if any conclusions he draws over the course of the story are completely accurate. Consideration of the framing narrative is important in evaluating Heart of Darkness. In the beginning, the nameless framing narrator, three other guests, and Marlow are cruising quietly about the Thames aboard the Nellie. The narrator recalls great men from Englands past who have sailed about the Thames. 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